Khalili’s output is detailed, reflective and full of intent. Predominantly using photography and the written word, he unpacks historically constructed landscapes. Borrowing from cinematic language, images become frames where the spectator embodies the progression of time. The artist has woven together parallel stories over the years, suggesting both questions and paradoxes concerning scenery and the act of gazing, all of which are refracted through the prism of personal identity. In particular, he focuses on the effect of geographical distance on our rendering of territory, and its ability to heighten or arrest our political and sentimental attachments.
The exhibition features video work, photography and drawings, including some of Khalili’s best-known projects; Regarding Distance, The Aliens, On Love and Other Landscapes and The Slaughterhouse. These works are accompanied by lucid and engaging texts reflecting upon and mediating this visual output. They include accounts of journeys through ‘Area C’, in the occupied West Bank, unplanned stops in car dumps and attempts to reach the sea; others are broader interactions with the notion of landscape in a Palestinian context and a refusal to depict the Israeli-built wall. They form a critical strand in the work of this pioneering Palestinian artist.
EOA Projects is proud to present Regarding Distance, the first major solo exhibition in the United Kingdom by acclaimed Palestinian artist Yazan Khalili. This show features works produced over the last decade, which explores the scarred and fraught landscapes of the West Bank, where the artist grew up.
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