"The Colour Correction Series explores the idea of losing lifestyle, mobility, freedom of choice and even the ability to dream of a brighter tomorrow. According to Slovenian philosopher Slavoj Žižek, these losses lead to a permanent state of emergency, where the possibility of thinking and living in the present becomes impossible.
This specific image shows Al-Amari Refugee Camp, located inside/beside/outside Ramallah City. The form of the camp does not represent its economic status, but rather its loss and trauma as a political manifestation that persists due to the continuous emergence of ephemeral homes, contradictory ways of living and unbearably unstable relationships between Palestinians and their surrounding landscape. Altering the refugee camp’s colours is a symbolic act. It aims to fill the loss – in the way a child fills the blanks in colouring books – and thus reignite the possibility of hope. Here Yazan Khalili attempts to appropriate an urban landscape that reminds us of the tragedy – of their existence and our disappearance – in order to subvert memory into a desired future."
Born in 1981, Yazan Khalili lives and works in Palestine. Khalili received a degree in architecture from Birzeit University and graduated with a Masters degree from the Centre for Research Architecture at Goldsmiths College, London.
He has participated in numerous shows internationally, including Sandi Hilal and Alessandro Petti’s project Ramallah Syndrome in the Palestine c/o Venice Pavilion at the 53rd Venice Biennale (2009). In 2009, alongside Lara Khaldi, Khalili co-curated We Were Never Heroes as part of the Jerusalem Show, and Independent Film in Palestine, at the Arab Shorts Festival presented by the Goethe Institute, in Cairo.
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